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Issues : Bass register changes
b. 37
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composition: Op. 28 No. 17, Prelude in A♭ major
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The crossing-out of the D category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Bass register changes , Last key signature sign |
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b. 37-38
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composition: Op. 2, Variations, complete
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The AsI version corresponds closely to the orchestra part. In the version prepared for printing, Chopin moved these bars an octave lower, presumably to preserve the ascending sequence of these orchestral interludes. While proofreading FE1 this fragment was modified once again by removing the octave doublings of two bass notes, D category imprint: Differences between sources; Corrections & alterations |
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b. 40
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composition: Op. 28 No. 22, Prelude in G minor category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes |
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b. 45-46
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Bass register changes |
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b. 49
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sense and authenticity of this sign in FED is doubtless, yet due to the much more powerful and longer-sounding bass register of contemporary pianos this variant may only be used with utmost caution. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Bass register changes , Abbreviated octaves' notation |