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Issues : Authentic post-publication changes and variants
b. 27-28
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composition: Op. 10 No 7, Etude in C major
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Chopin's annotation in FED establishes a different dynamic concept of this transition here. According to us, it is at least equal with the version of A (→FE→GE,EE). However, as it cannot be excluded that according to the composer's intention the change was only a suggestion connected with the personality or capabilities of a certain pupil, in the main text we limit ourselves to giving information on this alternative concept. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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The additions in FED and FEFr may be regarded two versions of the same musical idea - syncopations in FEFr show the rubato performance of the quavers in FED. category imprint: Differences between sources; Corrections & alterations issues: Annotations in FED , Annotations in FEFr , Authentic post-publication changes and variants |
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b. 28
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composition: Op. 25 No 8, Etude in D♭ major
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The dynamic indications of the final part of the Etude were almost certainly added by Chopin to the three, generally finished, Stichvorlage manuscripts. In bars 28-31, EE1 transferred the most elaborately developed version with category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
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b. 30
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composition: Op. 27 No 2, Nocturne in D♭ major
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The variant given by Franchomme seems recommendable as a variation of the motif upon its repetition that is very characteristic for Chopin. category imprint: Differences between sources issues: Annotations in FEFr , Authentic post-publication changes and variants |
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b. 30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The written in FES version with a chromatic, quaver progression of the bass constitutes a diversification of the transition to the D category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |