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Issues : Placement of markings
b. 10-12
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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We reproduce the short category imprint: Differences between sources issues: Placement of markings , FE revisions |
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b. 10
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composition: Op. 44, Polonaise in F♯ minor
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The category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Placement of markings , Annotations in FES |
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b. 15
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dots under the quavers were added by Chopin while proofreading FE (→GE,EE). In GE a short accent was applied, moreover, in GE1 (→GE1a) and again in GE5 the mark was moved over the crotchet. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Placement of markings , GE revisions , Authentic corrections of FE |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In the main text we reproduce the very precise performance marks for the chord on the 2nd beat of the bar in A: long accents over f4 and the L.H. chord and a staccato dot under f3. The R.H. marks were overlooked both in FC (→GE) and FE1, which is justified to a certain extent, since both marks are poorly visible. The L.H. accent (short) was placed in FE under the chord, as a result of which the R.H. octave is not accented at all. FE2 tried to amend it by adding a long accent under it. Introduction of a vertical accent in EE is an arbitrary decision typical of that publisher – cf. the previous bar. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE , Placement of markings , FE revisions , Errors of FC |
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b. 20-21
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composition: Op. 10 No 3, Etude in E major
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The shorter slur of FE (→GE1,EE) is certainly a result of a too literal interpretation of A. Moreover, in FE (→EE) the slur was placed under the stave. The graphic layout of GE is similar to A in this respect. category imprint: Differences between sources issues: Placement of markings , GE revisions , FE revisions |