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Issues : Accidentals in different octaves
b. 6-7
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composition: Op. 10 No 1, Etude in C major
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The sharp in front of f category imprint: Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 6
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composition: Op. 22, Polonaise category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE |
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b. 6-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars it concerns f in b. 6, c1 and b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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A, FE and EE are lacking in the natural raising d category imprint: Differences between sources; Editorial revisions issues: Accidentals in different octaves |
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b. 7-8
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composition: Op. 10 No 10, Etude in A♭ major
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The natural raising a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omissions to cancel alteration , Authentic corrections of FE , Inaccuracies in A |