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Issues : Revisions in EL
b. 23-24
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composition: WN 37, Lento con gran espressione
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The manuscripts conveying the text of [A2] are pretty united on the range of the dynamic hairpins in these bars (A1 is devoid of such marks). The whole-bar marks of EL are an arbitrary decision of Kolberg or the engraver. category imprint: Differences between sources issues: Scope of dynamic hairpins , Balakirev's revisions , Revisions in EL |
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b. 26
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composition: WN 37, Lento con gran espressione
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The initial version of A1 was corrected still in this autograph (inaccurately – the penultimate L.H. quaver, b, remained unchanged), whereas the sources based on [A2] already contain the changed version (regardless of the rhythmic changes). The version of EL may be Kolberg's revision after the analogy with b. 22. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors of A , Corrections of AI , Kolberg's revisions , Revisions in EL |
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b. 29-30
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composition: WN 37, Lento con gran espressione
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In CJ and CK the accent in b. 30 is clearly shorter than the mark in b. 29, hence we interpret them as a short and long accent, respectively. It is compliant with the harmonic and rhythmic context of the accented notes – e2 in b. 29 creates a tense delay, whereas d category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Scope of dynamic hairpins , Balakirev's revisions , Revisions in EL |
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b. 31
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composition: WN 37, Lento con gran espressione
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In the main text and the substantive transcription of A1 we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Revisions in EL |
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b. 35-36
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composition: WN 37, Lento con gran espressione
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In the main text we stick to the notation of CJ, since Kolberg could have moved the indication dim. so that it does not contradict the continuation of the category imprint: Differences between sources issues: Kolberg's revisions , Revisions in EL |