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Issues : Errors repeated in EE
b. 7
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composition: Op. 28 No. 10, Prelude in C♯ minor
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Holding the g category imprint: Editorial revisions issues: Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 7-15
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composition: Op. 63 No. 1, Mazurka in B major
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In bars 7 and 15 the sources do not contain sharps over the mordents. There are no doubts as to the sound of the top note, while the notation is inaccurate, as usual in such situations in Chopin's works (in bar 7 it concerns only AI and GE3 due to the misplaced category imprint: Interpretations within context issues: Errors in FE , Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 8-9
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composition: Op. 50 No. 1, Mazurka in G major
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It seems that Chopin abandoned the tie of c1 – in analogous b. 32-33 the tie is absent in all the sources, while in GE it is absent in all three analogous places (b. 8-9, 32-33 and 64-65). The absence of the tie in Afrag can be explained twofold (unless it is simply an oversight):
In FE1 (→EE) the tie was reproduced erroneously in b. 9 – such mirror images of marks can often be found in Chopin's pieces, e.g. in the Concerto in F Minor, Op. 21, 3rd mov., b. 172-173. The erroneous tie was removed in FE2; however, the correct one was not added – it may be seen as Chopin's proofreading and another argument for abandoning the tie of that note (the issue of presence of the c1 note in FE2 at the beginning of b. 9 – see the next note). category imprint: Differences between sources issues: Errors in FE , Chopin's hesitations , Authentic corrections of FE , Errors repeated in EE |
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b. 8
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composition: Op. 28 No. 9, Prelude in E major
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In A (→FC,FE→EE1) and CGS there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE |
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b. 13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE→EE1) there is no accidental before the 1st note in the last group. It must be Chopin's oversight – this and the next bar constitute a cadence in C category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE |