



b. 722-723
|
composition: Op. 31, Scherzo in B♭ minor
..
The slur of A is most probably unfinished due to ink flow problems; however, it is unclear where it should end. Two possibilities are involved: the beginning of b. 723, which is supported by the slurs in the analogous situations in b. 718-719, 758-759 and 762-763, or the end of b. 722, as it was interpreted by the copyist and which is indicated by the bend of the right-hand ending of the slur (or its visible, written part). In the main text we adopt the former, yet we consider the latter to be equivalent. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , FE revisions , Fontana's revisions |
|||||
b. 722-723
|
composition: Op. 31, Scherzo in B♭ minor
..
The L.H. slur in A encompasses b. 723 only, hence it is compliant with the R.H. slur yet shorter than the slurs over the analogous motifs in b. 718-719, 758-759 and 762-763. It gives rise to the suspicion that the notation is inaccurate, hence the version of GE2 (→GE3) may be considered an acceptable variant. According to us, performing the D category imprint: Differences between sources issues: GE revisions |
|||||
b. 725-731
|
composition: Op. 31, Scherzo in B♭ minor
..
The missing dashes marking the range of cresc. are an inaccuracy of FE (→EE) and GE1. Omission of such dashes is a quite frequent discretion of Chopinesque first editions. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
|||||
b. 726
|
composition: Op. 31, Scherzo in B♭ minor
..
An earlier pedal change in FC (→GE) is a result of inaccuracy of the copyist, who probably considered the notation of A to be inaccurate. category imprint: Differences between sources issues: Inaccuracies in FC |
|||||
b. 730
|
composition: Op. 31, Scherzo in B♭ minor
..
In A one can see that Chopin started writing the g quaver as a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |