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Issues : Authentic corrections of FE
b. 645
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composition: Op. 31, Scherzo in B♭ minor
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As in b. 637 and 639, we consider the staccato dot over b category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 646
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, one can see a trace of the original, shorter slur that encompassed only the last group of semiquavers. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 657
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composition: Op. 11, Concerto in E minor, Mvt I
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FE (→EE, GE1 (→GE2) has a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Enharmonic corrections , Authentic corrections of FE |
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b. 658
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composition: Op. 11, Concerto in E minor, Mvt I
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On the basis of the available sources, one cannot determine whether Chopin chose one version of the 1st note of bass, and if yes then which one. In FE (→GE,EE), there is an e-e1, left unchanged by Chopin in four out of five pupil's copies, including two that bear visible traces of this movement of the Concerto having been studied with Chopin (FED and FEH). However, in FEorch (→GEorch) cellos have an e category imprint: Differences between sources issues: Annotations in teaching copies , Chopin's hesitations , Annotations in FES , Authentic corrections of FE |
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b. 659
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the visible traces of corrections performed in print prove that this bar underwent a serious, probably multiple-stage, proofreading. However, we did not manage to decipher the original text, although some of the removed elements are quite clearly visible. The erroneous version of GE – category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Errors repeated in GE |