mUltimate Chopin

Text Compare Notes Sources Description

Issues : Errors repeated in FE

b. 422

composition: Op. 21, Concerto in F minor, Mvt III

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In A (→GE→FE) there is no  restoring g2 on the 3rd beat of this bar. This patent oversight – cf. analogous bar 414 – was corrected only in EE. An identical mistake is to be found in A also in the two remaining appearances of similar figures (bars 454 and 462). In this type of texture, Chopin considered both voices independently, to a significant extent, hence an alteration forming part of the chromatic progression in the top voice did not influence the notes of the bottom voice, constituting the harmonic base, in the internal hearing of the composer. Cf. numerous mistakes of this kind and inaccuracies in the Etude in A minor, op. 10 no. 2, e.g. in bars 1 and 5, as well as in an opposite situation in the 1st mov. of the Concerto, bars 302 and 304.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 433

composition: Op. 21, Concerto in F minor, Mvt III

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in GE , GE revisions , Errors repeated in FE

b. 445

composition: Op. 31, Scherzo in B♭ minor

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There is no  raising d to d in A (→FE→EE1). Chopin's patent inaccuracy was corrected by Fontana in FC (→GE); a  was also added in EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omission of current key accidentals , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE

b. 454-462

composition: Op. 21, Concerto in F minor, Mvt III

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There is no  restoring g2 on the 3rd beat of bars 454 and 462 in A (→GE→FE). The patent mistake was corrected only in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 477

composition: Op. 31, Scherzo in B♭ minor

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The  raising a3 to a3, overlooked in A (→FE), was added in FC (→GE) and EE. The mark was also added in FESf.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE , Annotations in FESf