



b. 11-12
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composition: Op. 10 No 11, Etude in E♭ major
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In A these bars are not written out, only marked as a repetition of bars 3-4. However, unlike in A, in FE (→GE,EE) the category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 11
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composition: Op. 10 No 7, Etude in C major
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In A Chopin overlooked the category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 11
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composition: Op. 10 No 8, Etude in F major
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According to us, the authentic, simplified rhythmic notation of the 1st chord may be perceived as unclear in this case. Therefore, we introduce a more exact notation with division into voices. category imprint: Editorial revisions |
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b. 11
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composition: Op. 10 No 10, Etude in A♭ major
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An accidental omission of the category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor
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Similarly as in bar 3, the original version of AI had to be also in [A], as the traces of deleting the treble and bass clefs – used for its notation – are visible in FE. Chopin introduced analogous changes also while repeating this phrases in bars 53 and 61. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |