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b. 11

composition: Op. 27 No 2, Nocturne in D♭ major

 

GE (→FEEE)

..

The beginning of the mark from the 5th quaver of the bar is doubtless in A. In GE (→FEEE) the hairpins begin  one quaver earlier.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 11

composition: WN 55, Waltz in F minor

 
 
..

In AO and AK, the composer diversified the melodic line by adding an ornament in the form of three grace notes. The remaining sources do not include this ornament in the written-out form.

category imprint: Differences between sources

b. 11

composition: WN 55, Waltz in F minor

 
 
..

The variant of CC with an eas the last quaver most probably results from inaccuracy of copying; its authenticity is questionable. The remaining sources feature an fin this place.

category imprint: Differences between sources

b. 11

composition: WN 55, Waltz in F minor

 
 
..

Diversification of a motif by breaking up longer values - in this case by a quaver leap an octave down - is very characteristic of Chopin.

category imprint: Differences between sources

b. 11

composition: Op. 27 No 1, Nocturne in C# minor

A long accent or diminuendo in GE

A short accent in FE (→EE)

Our suggestion

A different interpretation

Another interpretation

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Long accents , Inaccuracies in FE