Issues : Abbreviated notation of A
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b. 278
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composition: Op. 39, Scherzo in C♯ minor
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In GC, this bar is marked as the repetition of the previous one, which must reflect the notation of the autograph. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 302-303
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composition: Op. 44, Polonaise in F♯ minor
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As in previous analogous places, in FE (→EE) the L.H. part octaves are written down in a simplified manner with the use of con 8va from the 2nd beat of b. 302 to the end of the 1st beat of b. 303. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 312
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the 3rd group of semiquavers is written in an abbreviated manner as a repetition of the second one. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 343-348
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composition: Op. 2, Variations, complete
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In bars 343-344 and 347-348 in both manuscripts Chopin used abbreviations to write down the repeated R.H. triplets. In AsI he wrote all triplets (except the first one) this way in each bar. In A the notation is very similar – it is only in bar 343 that the first three triplets are written out with notes. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 355-356
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composition: Op. 21, Concerto in F minor, Mvt III
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In the part of the L.H. these bars are written in A in an abbreviated manner, as repetitions of bar 354. The bars were written in full in GE (→FE→EE). category imprint: Source & stylistic information issues: Abbreviated notation of A |