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b. 423-432
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composition: Op. 39, Scherzo in C♯ minor
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In FE the dyads in LH in bars 423-424 and 431-432 are not split into two voices, similarly in bars 81-82 or 89-90. category imprint: Differences between sources |
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b. 423
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composition: Op. 39, Scherzo in C♯ minor
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category imprint: Interpretations within context; Differences between sources issues: Long accents |
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b. 423
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the 1st beat is written an octave lower and it was supposed to be encompassed with an octave sign, which, however, begins only from the 2nd beat of the bar. In EE1 the octave sign starts only from the next bar, which seems to be a result of a misunderstanding during an attempt to correct the mistake of FE. The subsequent EE already include the correct text, compliant with A (→GE). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE |
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b. 423
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composition: Op. 21, Concerto in F minor, Mvt III
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A does not have a category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 423
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary natural before e2 in the 1st chord in the L.H. was added – probably by Chopin – in the last phase of proofreading of FE2 (it is absent in other sources). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
in 
lowering d3 to d
3 at the beginning of the bar. Chopin's patent oversight was corrected – perhaps by himself – already in