Issues : Errors repeated in GE
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b. 274
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 41 and 67, the category imprint: Differences between sources issues: EE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 287
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composition: Op. 11, Concerto in E minor, Mvt III
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GE is missing the category imprint: Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Errors repeated in GE |
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b. 300
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 274, the majority of the sources lack the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 311
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composition: Op. 2, Variations, complete
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The wedges, added to the bass crotchets in GE1 certainly by mistake, were strangely consistently repeated by all the remaining editions. The source of the mistake could be the first crotchet stem, to f, which in A does not reach the notehead and therefore could have been considered a wedge. category imprint: Differences between sources issues: Errors in GE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 313
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composition: Op. 2, Variations, complete category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
restoring g
2 in the last octave in the bar is missing in the majority of the sources. The mistake was corrected only in 
restoring a2 in the middle of the bar. It may mean that the accidental could have been added in the last proofreading of 
