Issues : Errors in FE
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b. 548-550
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composition: Op. 11, Concerto in E minor, Mvt I
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The slurs of FE are inaccurate, to say the least – the slur in bar 549 (which opens a line) is a continuation of a non-existing slur at the end of bar 548 (in the system, we consider the slur in the same way it was interpreted in GE1, i.e. as beginning in bar 549). A comparison with analogous bars 193-194 shows which slur Chopin most probably meant, and we give this version in the main text. In EE, like in bars 541-542, the slur was completed in the simplest manner – the initial fragment of the slur from bar 549 was added over the 3rd beat of bar 548. In GE3, both bars were encompassed with one slur; however, it was not led to the beginning of bar 550. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
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b. 548-551
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composition: Op. 31, Scherzo in B♭ minor
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Four accents under the bass octaves were not reproduced in such a form in any of the remaining sources. While GE2 (→GE3) contains all accents, they are placed above the octaves, which is a revision of the text of GE1 on the basis of a comparison with FC and unification by analogy (an accent was added in b. 551, which is absent in FC). category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions , Errors of FC |
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b. 551
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composition: Op. 39, Scherzo in C♯ minor
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In FE the double sharp is mistakenly placed before h1. category imprint: Source & stylistic information issues: Errors in FE |
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b. 552
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 554
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composition: Op. 31, Scherzo in B♭ minor
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In FE (→EE), the lack of arpeggio signs in bar 554 is undoubtedly due to an error of the engraver of FE. Similarly in bar 559. category imprint: Differences between sources issues: Errors in FE |
raising c1 to c
1, overlooked in 
