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Issues : Embracing slurs
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b. 40
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The slur of A, although quite clearly exceeding the notes it embraces, concerns, according to us, only the repeated f-f1 octaves. The whole-bar slur of FE (→GE,EE) is, therefore, almost certainly erroneous. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Embracing slurs |
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b. 40-41
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composition: Op. 28 No. 16, Prelude in B♭ minor
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See previous note. category imprint: Differences between sources issues: Embracing slurs , Errors of FC |
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b. 40
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composition: Op. 23, Ballade in G minor
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As in b. 37-39, FE (→GE,EE) misinterpreted the range of the L.H. slur of A in the 2nd half of the bar (the slur in the 1st half was reproduced correctly). category imprint: Differences between sources issues: Inaccuracies in FE , Embracing slurs |
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b. 41-44
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In bars 41-44, similarly as in bar 40, the slurs in A are written in a very imprecise manner. One can see in these bars corrections and deletions, which also intensifies the difficulties at the time of interpreting the composer's intention. In the main text we give a probable interpretation of A taking account of Chopin's correction in FE in bars.43-44 and analogous bars. As variants, we give interpretations of engravers or revisers of FE (→EE), GE1 and GE2 (→GE3→GE4). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Embracing slurs , GE revisions |
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b. 60
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composition: Op. 31, Scherzo in B♭ minor
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Both in A and FC the right-hand end of the slur was pulled through to almost the end of b. 60, with a flourish. category imprint: Source & stylistic information issues: Inaccurate slurs in A , Embracing slurs |
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