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Issues : Changes of metre
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b. 1-14
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composition: Op. 25 No 2, Etude in F minor
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In AT the Etude is written in 2/4 time signature, in two times smaller values – semiquaver triplets in the R.H. and quaver triplets in the L.H. It is the original concept, abandoned by Chopin not later than at the time of writing AW. The triplets of the L.H. do not have slurs in AT, which was probably related to the fact that the triplet grouping of the quavers unambiguously results from their beams. category imprint: Differences between sources; Corrections & alterations issues: Changes of metre |
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b. 1
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composition: Op. 25 No 4, Etude in A minor
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The use of category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 6, Etude in G♯ minor
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The use of category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 8, Etude in D♭ major
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The use of the category imprint: Differences between sources issues: Changes of metre , Inaccuracies in FE , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 10, Etude in B minor
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The use of the category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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