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Issues : Errors repeated in EE
b. 6
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Both autographs are lacking in the category imprint: Interpretations within context; Differences between sources issues: Errors of A , Authentic corrections of FE , Last key signature sign , Errors repeated in EE |
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b. 6-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars it concerns f in b. 6, c1 and b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6-11
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composition: Op. 28 No. 9, Prelude in E major
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As was the case in the Prelude No. 8 in F category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6
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composition: Op. 28 No. 21, Prelude in B♭ major
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The sources do not contain an accidental before the top note of the third on the 4th quaver in the bar, as a result of which it should be interpreted as e-g category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6
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composition: Op. 28 No. 13, Prelude in F♯ major
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The category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in FE , Errors repeated in EE |