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Issues : Fontana's revisions
b. 5
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A there is no accidental before the 1st note in the 4th group of demisemiquavers, which should therefore be interpreted as a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Errors in GE , Cautionary accidentals , Errors of A , FE revisions , Fontana's revisions |
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b. 6-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars it concerns f in b. 6, c1 and b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6
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composition: Op. 28 No. 21, Prelude in B♭ major
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In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , Fontana's revisions |
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b. 8
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composition: Op. 28 No. 18, Prelude in F minor
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In A (→FE), Chopin wrote only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 9
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composition: WN 17, Polonaise in B♭ major
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In JC, FEF, and PE, the 5th quaver f is not extended to the value of a crotchet. It is certainly a mistake (the notation's inaccuracy), as the necessity to extend stems from the presence of the tie sustaining this note to the minim f in bar 10. Moreover, in JC, the last quaver, f1, is written erroneously in a two-part form. FEF has a correct notation. category imprint: Source & stylistic information issues: Errors of JC , Errors in PE , Errors in Fontana's editions , Fontana's revisions |