Issues : No pedal release mark

b. 4

composition: Op. 10 No 10, Etude in A♭ major

 in A & GE2 (→GE3GE4)

No sign in FE (→GE1,EE)

..

The missing  mark is a patent error of the engraver of FE (→GE1,EE), corrected in subsequent GE,s.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark

b. 5-13

composition: Op. 10 No 5, Etude in G♭ major

No pedalling in A

Pedalling in FE

..

Chopin added the pedalling in bars 5 and 13 in a proofreading of FE. At the same time, the  mark in bar 13 was omitted, which is certainly a mistake (of Chopin or the engraver). The missed sign was added in GE, after bar 5, and in EE, in which, however, the  mark was placed in the middle of the bar. In the main text we add the sign after the most probably authentic pedalling in bar 5.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark

b. 5-8

composition: Op. 30 No. 4, Mazurka in C# minor

Pedalling in FC (→GE)

in b. 5 in FE (→EE)

..

In FE the pedalling of these bars is indicated in general terms with a  mark at the beginning of the phrase. Initially, a similar situation was in FC, in which, however, Chopin specified this aspect of performance by adding the remaining markings.

category imprint: Differences between sources; Corrections & alterations

issues: No pedal release mark , Authentic corrections of FC

b. 6

composition: Op. 26 No 2, Polonaise in E♭ minor

..

FE overlooked the  pedal release mark written in A. It was added in GE and EE.

category imprint: Differences between sources

issues: Inaccuracies in FE , No pedal release mark

b. 10-11

composition: Op. 63 No. 1, Mazurka in B major

No markings in AI

in FE (→GE,EE)

category imprint: Differences between sources

issues: No pedal release mark