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Issues : Accidental below/above the note
b. 16
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composition: WN 55, Waltz in F minor
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All autographs include a short d2 grace note. F does not have a grace note in this place - it results from a different ending of the melodic motif in bars 15 and 16. In CX and CY, the grace note is not slashed - it may be a copying inaccuracy. In AK, the natural next to the grace note was written clearly lower, in the 3rd space. category imprint: Differences between sources issues: Accidental below/above the note |
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b. 16
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composition: Op. 2, Variation IV, primitive version
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Both manuscripts are missing a few necessary accidentals in this bar – a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Accidentals in different octaves , Cautionary accidentals , Omission of current key accidentals , Accidental below/above the note , Inaccuracies in A |
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b. 18
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composition: WN 55, Waltz in F minor
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In AR, AE and CC, there is a g category imprint: Differences between sources; Editorial revisions issues: Accidental below/above the note |
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b. 23
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composition: Op. 10 No 6, Etude in E♭ minor
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In the chord in the middle of the bar, Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Accidental below/above the note , Last key signature sign |
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b. 32
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composition: Op. 10 No 3, Etude in E major
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The notation of accidentals is inaccurate in some of the sources, which, however, does not create any problems in interpreting Chopin's intention. It concerns mostly AI, yet in A (→FE→EE2→EE3) there is also no category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Accidental below/above the note |