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Issues : Authentic post-publication changes and variants
b. 1
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composition: Op. 28 No. 14, Prelude in E♭ minor
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Largo written in FES instead of Allegro, which was crossed out, is most probably a teaching correction – it indicates the way the piece should be practised, and not a change of concept of the Prelude. Placing the Prelude in E category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 10
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Accompaniment changes , Authentic post-publication changes and variants |
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b. 12
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The version of Afin, with a written cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic post-publication changes and variants |
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b. 12
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composition: Op. 28 No. 4, Prelude in E minor
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As a whole, the entry in FEJ is difficult to interpret. The part written on the stave creates a quite distinct, small, slashed f As far as the marks added below the stave are concerned, they can be seen as, e.g. a diagonal cross (often encountered in teaching copies), a very stooped category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur added in FEJ is, in the editors' opinion, not only a teaching remark but an improvement of imperfect notation. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEJ |