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Issues : Last key signature sign
b. 245
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The chord with c category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 247-248
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composition: Op. 44, Polonaise in F♯ minor
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In these bars the sources include naturals (cautionary?) before the D crotchets – GE before both, while FE (→EE) only in b. 247. We omit those accidentals in the main text. category imprint: Differences between sources; Editorial revisions |
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b. 255
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions; Source & stylistic information |
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b. 255
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composition: Op. 2, Variations, complete
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Both in the last L.H. chord and in the R.H. arpeggio on the 4th beat of the bar, neither AsI nor Af nor A (→GE1→FE,EE) contain accidentals before g/g
The decisive argument for g is provided by the orchestral part – there is a g note in the 2nd violins, and the violins could not play g The first edition to add naturals was GE2 (→FESB), 4 accidentals in total raising g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of A , Last key signature sign |
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b. 256
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composition: Op. 2, Variations, complete
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In the manuscripts there are no accidentals in the second triplet (on the 3rd beat of the bar). In the main text we include both added flats – perhaps by Chopin in GE (→FE,EE) – although it is only the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Authentic corrections of GE , Last key signature sign |