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b. 188-195

composition: Op. 43, Tarantella

..

In A these bars are marked as repeat of bars 180-187. Cf. description of A.

category imprint: Differences between sources

b. 188

composition: Op. 38, Ballade in F major

Slur to 3rd quaver in A (literal reading→GC→GE)

Slur to 6th quaver in A (contextual interpretation→FE,EE)
..

In A (→GC) the slur breaks in the middle of the bar, which in A is caused by the fact of writing the 2nd half on a new page. This is how it was understood in FE and EE, in which the slur reaches the end of the bar. In the graphic layout of GC, in which this bar is not divided, the erroneous shortening of the slur is not that obvious and was arbitrarily recreated in GE.

category imprint: Differences between sources

issues: Inaccurate slurs in A , Uncertain slur continuation

b. 188

composition: Op. 38, Ballade in F major

..

We add a cautionary  next to c1 in the 2nd quaver.

category imprint: Editorial revisions

b. 188

composition: Op. 64 No 2, Waltz in C♯ minor

Pedalling in A, EEW2, GE2op (→GE3op) & GE2no2

No markings in FE (→GE1op,GE1no2,EEC,EEW1)
..

The absence of pedalling in a part of the editions is undoubtedly a consequence of an oversight of the engraver of FE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 188

composition: Op. 19, Bolero

 
 
..

GE does not have b in the chord on the 3rd quaver in the bar. It is probably a mistake of the engraver.

category imprint: Differences between sources

issues: Errors in GE