b. 204
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing tie of e1 in GE1 (→FE→EE) is certainly a mistake. The tie could have been taken for a phrase mark. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 204
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composition: Op. 19, Bolero category imprint: Editorial revisions |
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b. 204
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding staccato dots after analogous bar 206. Articulation markings (staccato, slurs) and accents are quite numerous in this fragment, yet inconsistent. category imprint: Editorial revisions |
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b. 204
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals before the 4th and 8th semiquavers in the bar; at the same time, due to the use of an octave sign in the notation of the 1st beat of the bar, it is only the before the 4th note that is to be considered necessary. In EE, this exact mark was added, whereas in GE, which rejected the octave sign, both necessary sharps were added. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 204
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composition: Op. 11, Concerto in E minor, Mvt III
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In the 1st half of the bar, FE has different slurs for the R.H. and for the L.H. We unify them in the main text by changing the slur in the L.H. after the slur in the R.H. A similar change was introduced in EE and GE3; in turn, the missing slur in the L.H. in GE1 (→GE2) is almost certainly a mistake. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE , GE revisions |