|
b. 203-204
|
composition: Op. 23, Ballade in G minor
..
In A these bars are written down in an abridged manner as a repetition of b. 202. In addition to the •/• marks, Chopin wrote only slurs over the R.H. part and cresc. - - . category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
|||||||||
|
b. 203-204
|
composition: Op. 23, Ballade in G minor
..
According to the available photograph of A, the slur over this motif starts at the beginning of b. 204. If that were true, the slur must be inaccurate, since Chopin put it over bars marked in an abridged manner, devoid of notes. From the musical point of view, such a slur could be possible; however, it seems highly unlikely that Chopin would have wanted to indicate an extremely subtle difference in phrasing in such a vague manner. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
|||||||||
|
b. 203
|
composition: Op. 2, Variations, complete
..
As in many other places (see e.g. bars 271-272), the engraver of GE1 ignored the differentiation of staccato marks and replaced the dots with wedges. category imprint: Differences between sources issues: GE revisions , Wedges |
|||||||||
|
b. 204
|
composition: Op. 43, Tarantella
..
In GE instead of an accent category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||||||
|
b. 204-206
|
composition: Op. 43, Tarantella
..
In GE4 a slur was arbitrarily added over bars 204-206. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
appears in this place.
