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b. 7

composition: Op. 28 No. 3, Prelude in G major

No arpeggio sign in FCI & A (→FE,FCGE)

Arpeggio sign in EE

..

Arpeggio in EE resulted from a mistake of the engraver of EE1, who placed it in b. 7 instead of b. 8.

category imprint: Differences between sources

issues: Errors in EE

b. 7-10

composition: Op. 28 No. 3, Prelude in G major

..

An earlier version of slurring linked to the initial rhythm – see the note on rhythm. It is also there that we discuss the mistakes in the reproduction of the slurs of A, committed both in FC (→GE) and FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , Errors of FC

b. 7

composition: Op. 28 No. 6, Prelude in B minor

No arpeggio sign in A (→FCGE, →FEEE) & CGS

Arpeggio sign in FED

Our variant suggestion

..

In the main text we include – in a variant form – the arpeggio added most probably by Chopin in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 7

composition: Op. 28 No. 6, Prelude in B minor

..

The sources feature a  before g1, as in the previous bar. It is not necessary here, and we omit it in the main text.

category imprint: Editorial revisions; Source & stylistic information

issues: Cautionary accidentals

b. 7-8

composition: Op. 28 No. 6, Prelude in B minor

Fingering written into FEJ

No fingering in A (→FE,FCGE) & CGS

Fingering in EE

..

In the main text we include the fingering entered into FEJ. The different fingering of EE is almost certainly inauthentic.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEJ