Issues : Abbreviated notation of A
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b. 59-62
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the part of the L.H. is written in an abbreviated manner as a sequence of minims provided with signs of a quaver tremolo. In GE1 the notation was repeated only in bars 61-62. In the remaining editions all abbreviations were explained, as in the main text. category imprint: Source & stylistic information issues: GE revisions , Abbreviated notation of A , FE revisions |
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b. 59-66
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composition: Op. 28 No. 15, Prelude in D♭ major
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In all sources, some groups of repeating quavers are marked as a minim tremolo. Such a notation is used in A (→FC→GE) in entire b. 62 and in the second halves of b. 59 and 66, while in FC (→GE) also in the 2nd half of b. 65. In FE the abbreviations were used in the 2nd half of b. 59 and in b. 62, while in EE only in b. 62. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 60-61
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composition: Op. 10 No 3, Etude in E major
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In the 2nd half of bar 60 and in the 1st half in bar 61, the top voice in the R.H. is written in AI as repetition of the figure from the 1st half of bar 60. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 61-62
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composition: Op. 38, Ballade in F major
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In GC (→GE) there is no category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Abbreviated notation of A , Errors of GC |
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b. 62
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the L.H. part in this bar was marked in an abbreviated manner as a repetition of bar 61. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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