Issues : Abbreviated notation of A
|
b. 49
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In AI this bar is briefly marked as repetition of the previous one, while in the part of the R.H. there is a last, different group of semiquavers. category imprint: Differences between sources issues: Abbreviated notation of A |
||||||
|
b. 49
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
Bars 49-68 were marked in A with numbers 1-20 as repetition of the initial fragment of the piece. However, the 'one' in bar 49 seems to be deleted, whereas the 1st half of the bar is written with notes, which, allegedly, was supposed to facilitate the engraver's orientation in the abbreviated notation and prevent a too literal repetition of the beginning of the Polonaise (e.g., together with the tempo indication). Unfortunately, due to the fact that Chopin erroneously completed this bar with rests, FE initially printed the truncated version, without the last two chords (the traces of correction of this error are clearly visible). See the next note on slurs in this bar, and also the previous one. Similarly in bar 153. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors of A , Abbreviated notation of A , Authentic corrections of FE |
||||||
|
b. 49-50
|
composition: Op. 25 No 6, Etude in G♯ minor
..
In FC the 3rd and 4th group of semiquavers in bar 49 and last three in bar 50 are written in an abbreviated manner as repetition of the group preceding the // signs, written with notes. category imprint: Differences between sources issues: Abbreviated notation of A |
||||||
|
b. 49
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A the repeated quavers in the parts of both hands are written in an abbreviated manner as quaver tremolos. In GE1 (→FE) the notation was preserved only in the first half of the bar, while in EE and GE2, same as in the main text, all abbreviations were explained. category imprint: Source & stylistic information issues: EE revisions , GE revisions , Abbreviated notation of A |
||||||
|
b. 50-53
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
Some of the recurring figures of the accompaniment were notated by Chopin in A with the abbreviation "//". category imprint: Source & stylistic information issues: Abbreviated notation of A |
