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Issues : No pedal release mark
b. 201-204
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composition: Op. 21, Concerto in F minor, Mvt III
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Shifting the category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Inaccuracies in GE , No pedal release mark |
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b. 206-208
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composition: Op. 11, Concerto in E minor, Mvt I
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The category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |
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b. 211-212
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composition: Op. 11, Concerto in E minor, Mvt I
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Chopin did not specify the moment of pedal release; he probably meant its gradual release, the so-called diminuendo pedal. Such notation is to be found on a number of occasions in his works, cf. e.g. the Etude in D category imprint: Editorial revisions issues: No pedal release mark |
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b. 217-218
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composition: Op. 44, Polonaise in F♯ minor
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The partial lack of pedal markings in FE (→EE) must have resulted from an oversight, by the engraver or the copyist, or perhaps by Chopin himself if FE were based on the second autograph. category imprint: Differences between sources issues: Errors in FE , No pedal release mark |
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b. 217-218
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composition: Op. 23, Ballade in G minor
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The missing pedal markings at the end of b. 217 and in b. 218 in A must be Chopin's inadvertence, since it is the end of a line in A, which is conducive to oversights – after a moment of distraction, the composer resumed writing indications from a new line. category imprint: Differences between sources issues: Authentic corrections of FE , No pedal release mark , Inaccuracies in A |