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Issues : Annotations in teaching copies

b. 555

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 556

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering
..

Like in bar 552, the unobvious use of the 1st finger on a black key was marked in FEH. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 558

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 567

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

The entry of FEH defines a different arrangement of fingers with repetitions of the initial figure than the one indicated by Chopin at the beginning of the bar. In accordance with what was said in the previous note, this arrangement seems to be more natural. In EE, Fontana gives only the fingering of the ending of the bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 570-571

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No fingering in FE (→GE)

Fontana's fingering in EE
..

Fontana's fingering is identical to the one indicated by Chopin in FED; it is just more accurately written out. In the main text, we include only the undoubtedly authentic entry of the composer. 

category imprint:

issues: Annotations in teaching copies , EE revisions , Annotations in FED