Issues : Annotations in teaching copies

b. 536-537

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

The fingering of FEH in bar 536 repeats indications of analogous bar 181. In turn, in FEH the figure from bar 537 was not provided with fingering in exposition; the digits written in the discussed bar are totally compliant with Fontana's fingering in EE in bar 182. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 537-538

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 540

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

In the analogous bar of exposition (bar 185), a different finger was written down in FEH, third. Both fingering options are convenient, yet the 3rd finger seems to be more natural in the context of the next chord.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 541

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 544

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH