Issues : Authentic corrections of EE
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b. 212
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE has a g as the bottom note of the 1st crotchet in the bar. This patent mistake was corrected in the base text to EE. GC (→GE) also includes the correct f. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of EE |
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b. 215-218
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Same as in the previous bars, the slurring of GC is very careless in these bars. GE1 printed only three slurs, which was completed in GE2, almost literally reproducing GC. The remaining editions contain correct slurs, only FE1 (→FE2) overlooked the slur at the transition between bars 217 and 218. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions , Authentic corrections of FE , Errors of GC , Authentic corrections of EE |
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b. 216-217
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composition: Op. 42, Waltz in A♭ major
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The placement of crescendo differs slightly in particular sources. In FEG Chopin added cresc. under the last quaver in bar 216, and this is how it was reproduced by the engraver of GE1. In the next editions, GE2 (→GE3), the indication was moved slightly to the left, starting on the last quaver in bar 216. In EE the word crescendo was divided into syllables, which is a characteristic revision of the editor, and it was started at the end of bar 216. In the main text we adopt the indication of FE1, beginning in bar 217. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 216
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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As in bar 28, in the main text we give the notation in GC (→GE) which raises no reservations. The lack of accents in FE is certainly a mistake, and the mark in EE – most probably a long accent – a complement likely by Chopin. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in FE , Authentic corrections of EE |
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b. 217
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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No d category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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