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Issues : Inaccuracies in FE
b. 6-7
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composition: Op. 31, Scherzo in B♭ minor
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The analysis of the category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , GE revisions |
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b. 6
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composition: Op. 22, Polonaise category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE |
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b. 6-14
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A all accents in b. 6, 8 and 14 are clearly long, which, however, was misunderstood both in FC (→GE) and FE (→EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Inaccuracies in FC |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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In FE the mordent's sign was probably omitted. What is puzzling is the fact that there is no relevant entry in pupils' copies (e.g. in bar 21 Chopin added the omitted sign to FES and FEJ). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 7-8
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composition: Op. 10 No 12, Etude in C minor
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The omission of the dashes limiting the range of the dynamic change in FE (→GE,EE) belongs to the most frequent inaccuracies of French first editions of Chopin's works. category imprint: Differences between sources issues: Inaccuracies in FE |