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Issues : Inaccuracies in A

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b. 14-22

composition: Op. 28 No. 8, Prelude in F♯ minor

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In this Prelude Chopin generally did not put accidentals before the top notes of broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following notes:

  • in b. 14 c2, d2, d2 and e2,
  • in b. 15 and 17 e2, d2, f2 and g2,
  • in b. 16 e2, d2, f2 and b2,
  • in b. 18 e2, d2, f2 and e2,
  • in b. 19 e2,
  • in b. 21 a2, b2 and e3.

Such a notation is in A (→FC,FE), whereas EE, GE1 and GE2 added the majority of the necessary accidentals (21, 18 and 22 out of necessary 24, respectively).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 14-21

composition: Op. 28 No. 8, Prelude in F♯ minor

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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars, it concerns G in b. 14, B in b. 15-18, f in b. 20 and g in b. 21. That notation was literally repeated in FE; FC repeated it almost without changes (the only addition was a  next to B in b. 16). EE1 added the majority of the necessary accidentals – all except for the  of G in b. 14, while the remaining editions contain a fully correct notation.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in FE

b. 14

composition: Op. 28 No. 14, Prelude in E♭ minor

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In A (→FE) there is no  restoring B at the beginning of the 2nd half of the bar (however, a corresponding accidental is featured in the R.H. part). The flat was added in FC (→GE) and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A

b. 14

composition: Op. 28 No. 13, Prelude in F♯ major

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In A (→FC→GE) the e1-a1 fourth is a minim without dots. It must be Chopin's oversight – cf. analogous b. 30 and similar b. 10, 13, 16, 29 and 32. Therefore, in the main text we include the addition introduced most probably by Fontana into FE (→EE).

category imprint: Interpretations within context; Differences between sources

issues: FE revisions , Inaccuracies in A

b. 14

composition: Op. 28 No. 22, Prelude in G minor

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A (→FC,FE) has no  lowering a1 to a1. The obvious inaccuracy was corrected in GE and EE.
FE overlooked  lowering d to d. EE corrected the mistake.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE