Issues : Errors of A
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b. 15-18
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Deletions in A , Errors repeated in FE |
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b. 15
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composition: Op. 2, Variations, complete
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The category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 16
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composition: Op. 25 No 1, Etude in A♭ major
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In A, CDP, FE, and EE1, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 16-19
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of the staccato dot in A for G category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Errors of A |
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b. 16
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In [A] (→GC,FE) Chopin overlooked the bass clef. The sign was added in GE and EE. Similarly in all repetitions of this place. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors of A , Errors of GC |
lowering f
to f in the 3rd L.H. figure of each of these bars. Interestingly enough, Chopin was convinced that there was no need for an accidental here, since he crossed it out the first time (in b. 15). All naturals were added in 
restoring b
1 in the 2nd half of the bar is absent in all sources. It must be Chopin's mistake, one of his most frequent errors.
