



b. 3
|
composition: Op. 49, Fantaisie in F minor
..
The FE1 version featuring b category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
||||||||
b. 3-4
|
composition: (Op. 4), Sonata in C minor, Mvt III
..
The changes concerning the range of the dynamic hairpins introduced by GE (→FE,EE,IE) are arbitrary and rather unfounded if we take into account the natural phrasing, considering the direction of the melody and harmonic tensions. category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |
||||||||
b. 3
|
composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: EE revisions , Errors in EE |
||||||||
b. 3
|
composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: Errors in GE |
||||||||
b. 4
|
composition: Op. 43, Tarantella
..
In A, FC3 (→FE→IE), EE and GE1 there is no extending dot on minim c1 on the first beat of RH but the dot apears upon the theme’s repetition in corresponding b. 180, which allows us to assume with great probability that b.4 is inaccurate. The relevant revision was already made in GE2 (→GE3→GE4). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A |