Issues : Abbreviated notation of A
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b. 23-24
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composition: Op. 25 No 6, Etude in G♯ minor
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In FC, in both bars, the 2nd, 3rd and 4th groups of semiquavers are written in an abbreviated manner as repetition of the first. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 23-30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC the bars are marked as repetition of bars 15-22, which certainly corresponds to the notation of [A]. Only the 1st crotchet in bar 23 and the 2nd half of bar 30 are written out, which differ from their equivalents eight bars earlier. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 25-31
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composition: Op. 64 No 3, Waltz in A♭ major category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 25-30
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composition: Op. 64 No 1, Waltz in D♭ major
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In A the bars are additionally marked with letters from a to l, used then for the abbreviated notation of bars 97-107 and 113-119. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 25-29
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composition: Op. 21, Concerto in F minor, Mvt I
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In A, the repeated octaves in the L.H. in bars 25-26, the group of four f1-b1 fourths in the R.H. in bar 26 and the groups of four identical chords in the L.H. in bars 27-29 are written in an abbreviated manner as quaver tremolos. In GE1 such a notation was preserved only in bars 25 and 29 and in FE only in bar 25. In EE and GE2, same as in the main text, all abbreviations were explained. category imprint: Source & stylistic information issues: EE revisions , GE revisions , Abbreviated notation of A , FE revisions |