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Issues : Accidentals in different octaves
b. 18
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composition: Op. 16, Rondo in E♭ major
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FE (→GE) did not repeat accidentals in the section of the scale placed under the octave sign. The notation of EE is compliant with the contemporary rules. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Errors repeated in GE |
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b. 18-20
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 18-22
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composition: Op. 2, Variation IV, primitive version
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As in bars 2 and 6, in A there are no accidentals to the last hemidemisemiquaver of the 2nd and 4th R.H. figures in bars 18 and 22, a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in A |
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b. 19
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composition: WN 17, Polonaise in B♭ major
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In JC there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , Errors of JC , Inaccuracies in PE |
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b. 19-20
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composition: Op. 10 No 2, Etude in A minor
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In none of the authentic sources the notation of the accidentals in the part of the R.H. is entirely correct in these bars – particularly in bar 19. However, the inaccuracies do not pose problems in establishing the correct text. Moreover, in all sources except for Ap the unnecessary category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE , Errors of CLI |