Issues : Inaccuracies in GC
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b. 44
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In GC and FE (→EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , EE inaccuracies , Inaccuracies in GC |
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b. 45
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composition: Op. 39, Scherzo in C♯ minor
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The lower note of the last octave in the R.H. is written too high in GC, looking almost like f category imprint: Source & stylistic information issues: Inaccuracies in GC |
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b. 45-46
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composition: Op. 25 No 3, Etude in F major
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GC and FE lack two flats before as notes in various octaves, while EE – one. These patent inaccuracies do not impede the correct interpretation of the text at all and they were corrected in GE (similarly as in bar 43 in GE1 there are no signs in the 2nd group in bar 45). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 45-46
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composition: Op. 25 No 11, Etude in A minor
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The slur of the L.H. begins in GC more or less in the middle of the 1st beat of the bar, so GE1 embraced also the 1st octave with it. This undoubtedly erroneous interpretation was corrected in GE2 (→GE3). Similarly in bar 47. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 46
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composition: Op. 38, Ballade in F major category imprint: Differences between sources issues: Inaccuracies in GC |
before the top most note of the 3rd crotchet in the R.H. The patent inaccuracy was corrected in 
before g
1 in the L.H. was unnecessarily repeated. 
