Issues : Errors in EE
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b. 306
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composition: Op. 31, Scherzo in B♭ minor
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In A the category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Errors in EE , Cautionary accidentals , FE revisions , Accidental below/above the note |
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b. 309
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in EE , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 312
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composition: Op. 39, Scherzo in C♯ minor
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No category imprint: Differences between sources; Source & stylistic information issues: Errors in EE |
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b. 312
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composition: Op. 44, Polonaise in F♯ minor
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We explain the absence of markings in GE in b. 24-26. The missing staccato dots in EE must be an oversight of the engraver. category imprint: Differences between sources issues: Errors in EE , Authentic corrections of FE |
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b. 314-315
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the accent and the category imprint: Differences between sources issues: Errors in EE , Authentic corrections of FE |
before the middle note of the L.H. chord is placed clearly too low, which in this case could have been due to the intention of avoiding collision with the bar line. Fontana correctly interpreted the meaning of that mark in 
. That erroneous version got to 
raising a
to a before the 2nd quaver. The sign was added in 
in 
in 