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Issues : Differences in fingering
b. 197-198
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering given by Fontana and the one written in FEH differ significantly. Interestingly, in analogous bar 441 Fontana gave a fingering concurrent with the fingering written in FEH and not his. That convergence is rather of an accidental nature, yet the differing approach to similar figures is symptomatic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 208-209
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingerings of FEH and EE differ essentially. What is more, in bar 208, FEH initially contained the same fingering as in EE; however, it was then changed to a regular scheme, conveniently synchronised with the accents. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 212-213
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FED in bar 216 expands upon the indication from bar 212; hence, in the main text we give it together already for the first time. Similarly, the digit written in FEH in bar 213 complements the indications from bar 212. The fingerings in those copies differ in the first digit only; however, it may mark a different fingering of the entire sequence of semiquavers, since the digits in FED may be ascribed both to the left and right hand. In the former, the continuation would be the same as in FEH, while in the final part, perhaps the same as in EE. In the latter, the continuation (with the L.H.) could be completely different – category imprint: Differences between sources; Editorial revisions issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 221
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we include the entry in FED, whose authenticity is highly likely. The same digit – along a few more – is given also by FEH; in turn, EE has a different fingering in this part of the passage, maintaining the hand position from the 1st half of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 222
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, which comes from Chopin. A similar hand position is suggested by Fontana in EE. In turn, the entry of FEH defines a different combination, much less convenient (it may be a mistake). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |