Issues : Annotations in FED
b. 7
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composition: Op. 28 No. 6, Prelude in B minor
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In the main text we include – in a variant form – the arpeggio added most probably by Chopin in FED. category imprint: Differences between sources |
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b. 8-9
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FED, Chopin marked the altered phrasing of a group of semiquavers in a manner that is typical of him. One often comes across vertical lines signifying change of phrasing in teaching copies, e.g. in Impromptu in G flat major Op. 51, bars 32, 37, 89 & 91. category imprint: Differences between sources |
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b. 8
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources |
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b. 8
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composition: Op. 10 No 3, Etude in E major
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In the main text we include the fingering added by Chopin in FED and the slur, embracing this group of semiquavers in A. In EE Fontana gave the identical fingering, marked in a more accurate manner. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |