Issues : Errors in FE

b. 3

composition: Op. 10 No 7, Etude in C major

in A

No indication in FE (→GE,EE)

..

According to us, an accidental omission of cresc. in FE (→GE,EE) is the most plausible explanation in this case.

category imprint: Differences between sources

issues: Errors in FE

b. 3-4

composition: Op. 26 No 2, Polonaise in E♭ minor

Pedalling in A, GE2 (→GE3GE4) & EE2

No markings in FE (→GE1,EE1)

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The absence of pedalling marks in FE (→EE,GE1) is most probably an oversight of the engraver. The signs were added in GE2 (→GE3GE4), probably on the basis of comparison with analogous places.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 3

composition: Op. 25 No 8, Etude in D♭ major

..

In A (→GE1), FE and EE there is no  returning f2 in the penultimate sixth. This patent error was noticed only in GE2 (→GE3) on the occasion of a thorough revision of accidentals – cf. the notes concerning the natural and flat before the previous sixth. 

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A

b. 3

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

In FE1 there is no top note of the chord, d1. The mistake was corrected in FE2; all the remaining sources also include the correct text.

 

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 3-4

composition: Op. 28 No. 9, Prelude in E major

Slur in A

No slur in FC (→GE), FE (→EE) & CGS

..

The inconspicuous little slur of A was overlooked both in FC (→GE) and FE (→EE). The absence in CGS – see b. 1-9.

category imprint: Differences between sources

issues: Errors in FE , Errors of FC