Issues : Last key signature sign
b. 33-48
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composition: Op. 63 No. 3, Mazurka in C# minor
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In [A] (→FE1→GE) Chopin wrote the middle section of the Mazurka in a key signature with four flats, although the prevailing key is D major, while from bar 41 even G major. Chopin corrected the key signature in FE2 (→EEW). Such discrepancy between the key signature and the prevailing key happened to Chopin in the Mazurka in G minor, Op. 33 No. 1, which both in the manuscripts and the editions is written down with 4 sharps. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Last key signature sign |
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b. 34-36
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no rising c1 to c1 in bars 34 and 36. The obvious inaccuracy of Chopin's notation was corrected in FE (→GE1) in bar 36, and in the remaining editions in both bars. Instances of omitted essential naturals next to notes C in different octaves occur in A repeatedly in the whole section (bars 33-40). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Last key signature sign , Inaccuracies in A |
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b. 34
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composition: Op. 25 No 9, Etude in G♭ major
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Lack of the naturals raising C-c to C-c is almost certainly Chopin's mistake, despite the fact that this kind of oversights of signs introducing alterations are not frequent (yet they are to be found in, e.g., the Etude in F minor, No. 2, bar 56). It could have seemed that the C-c octave did not require naturals due to the following reasons:
category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Last key signature sign , Errors of GC |
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b. 35
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composition: WN 17, Polonaise in B♭ major
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JC has a cautionary before A1 on the 6th quaver of the bar. category imprint: Source & stylistic information |
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b. 35
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no rising c to c. The gap was filled in already in FE1. In all sources a is superfluously repeated next to the demisemiquaver c2; A and EE also have next to c1 at the end of the arpeggio. category imprint: Interpretations within context; Differences between sources issues: EE revisions , FE revisions , Last key signature sign |