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Issues : FE revisions
b. 337
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composition: Op. 39, Scherzo in C♯ minor
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In EE, GC and FE1 there is no category imprint: Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , FE revisions , Inaccuracies in GC |
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b. 337
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composition: Op. 2, Variations, complete
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We give the L.H. 2nd and 3rd beats in the version of FE, which can be considered an enhanced version of A (in A there is no augmentation dot to the f category imprint: Differences between sources issues: Inaccuracies in GE , Authentic corrections of FE , FE revisions |
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b. 345-347
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composition: Op. 39, Scherzo in C♯ minor
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A correct text of LH in these three bars is a result of revisions in FE2 and GE2. An error in b. 345 (repetition of g
category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , FE revisions , Errors of GC |
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b. 365
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composition: Op. 31, Scherzo in B♭ minor
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In all editions except for GE2 the whole-bar rest was specified with the digit 1, one (FE and GE3) or two (GE1 and EE). category imprint: Differences between sources issues: EE revisions , GE revisions , FE revisions |
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b. 370-372
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we present the GC undisputable notation. No accent in b. 372 is an obvious omission in EE, and long accents in GE result form not thorough enough analysis of the GC notation (the difference in accents lenghth in bars 360-368 and 370-374 was overlooked). Double accents in FE may have come form a reviser. category imprint: Differences between sources issues: Errors in EE , FE revisions |