Issues : Errors in GE
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b. 72-73
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composition: Op. 44, Polonaise in F♯ minor
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The missing pedal markings in these bars must be an oversight of the engraver of GE1 (left uncorrected in GE2). It is proven by the fact that the markings are present in b. 305-306, which were almost certainly not written out with notes in [A], but marked in an abridged manner as a repetition of b. 72-73; therefore, they could not differ from each other. category imprint: Editorial revisions issues: Errors in GE |
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b. 87-88
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composition: Op. 44, Polonaise in F♯ minor
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As the staccato dots over a1 are present only in these two bars in GE, it is probably a mistake of the engraver, who still did not notice that, starting from b. 87, some quavers were no longer provided with dots. In the main text we give the consistent articulation of FE (→EE). category imprint: Differences between sources issues: Errors in GE |
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b. 92
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composition: Op. 44, Polonaise in F♯ minor
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In GE2 there is a staccato dot over the a-a1 octave, which is most probably a mistake. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 99
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composition: Op. 44, Polonaise in F♯ minor
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In EE two staccato dots on the 3rd beat of the bar were overlooked, while in GE2 the dot over a on the 2nd beat. In the main text we provide a complete set of dots after GE1 and FE. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 106
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composition: Op. 44, Polonaise in F♯ minor
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The missing tie to the grace note in GE2 is most probably an oversight of the engraver. category imprint: Differences between sources issues: Errors in GE |
