Page: 
Source: 
p. 3, b. 59-98
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 89-93

 in bar 91 in AI

    in AF

    in FE & GE1

 in bar 89 in EE

    in GE2

The  mark in b. 91 is the only pedalling marking in AI. The four-bar pedal in the later sources develops and specifies it, although the placement of the  mark is unclear due to the differences between the sources. According to us, in this context the individual sources are rather a result of inaccuracies of notation than of different concepts. In the main text we take into account the message conveyed by the  mark written by Chopin in AF – before the 1st note of b. 93, i.e. at the end of b. 92. At the same time, it is a graphical compromise between the notation of AF and FE & GE1 (coincidentally, it corresponds to the notation of GE2). 

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category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: GE revisions, Authentic corrections of FE

notation: Pedalling

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1