Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 113

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→EE,GE1GE2)

Staccato dot in GE3

..

In the main text, we add a staccato dot over the 2nd quaver in the R.H. after the dots in analogous bars 108-109 and 112. Omission of the mark in the fourth and last appearance of the motif must be considered an inaccuracy. Staccato marks (wedges) are present over the respective notes in bars 112 and 113 in violin I in FEorch (→GEorch). As part of numerous additions of articulation marks in this Tutti, a dot was added also in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 116-117

composition: Op. 11, Concerto in E minor, Mvt III

3 dots in FE (→GE1GE2)

4 dots in EE

6 dots in GE3

..

In FE, the missing staccato dots over the quaver in bar 116 and semiquavers in bar 117 must be considered an inaccuracy in the face of dots in the analogous places in bars 115-118. The mark in bar 116 was added in EE, while all three dots were added in GE3

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 118-119

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→GE1GE2)

Accents & staccato dot in EE

Accents in GE3

..

The missing articulation markings in the L.H. on the last three quavers of the Tutti must be considered an inaccuracy. The marks were added in EE and, partially, in GE3

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 122

composition: Op. 11, Concerto in E minor, Mvt III

Wedges in FE (→EE) & GE3

No marks in GE1 (→GE2)

..

The missing wedges at the beginning of the bar are most probably an oversight of the engraver of GE1 (→GE2). The marks were added in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 124

composition: Op. 11, Concerto in E minor, Mvt III

Staccato dots in FE (→EE)

No marks in GE

..

The missing dots in GE may be merely an oversight; however, it cannot be ruled out that the marks were added in the last proofreading of FE – see the note on the slur.

category imprint: Differences between sources

issues: Authentic corrections of FE