Articulation, Accents, Hairpins
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b. 113
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a staccato dot over the 2nd quaver in the R.H. after the dots in analogous bars 108-109 and 112. Omission of the mark in the fourth and last appearance of the motif must be considered an inaccuracy. Staccato marks (wedges) are present over the respective notes in bars 112 and 113 in violin I in FEorch (→GEorch). As part of numerous additions of articulation marks in this Tutti, a dot was added also in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 116-117
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the missing staccato dots over the quaver in bar 116 and semiquavers in bar 117 must be considered an inaccuracy in the face of dots in the analogous places in bars 115-118. The mark in bar 116 was added in EE, while all three dots were added in GE3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 118-119
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing articulation markings in the L.H. on the last three quavers of the Tutti must be considered an inaccuracy. The marks were added in EE and, partially, in GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 122
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedges at the beginning of the bar are most probably an oversight of the engraver of GE1 (→GE2). The marks were added in GE3. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 124
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE may be merely an oversight; however, it cannot be ruled out that the marks were added in the last proofreading of FE – see the note on the slur. category imprint: Differences between sources issues: Authentic corrections of FE |
