Articulation, Accents, Hairpins
b. 108-109
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composition: Op. 11, Concerto in E minor, Mvt III
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It does not appear that the missing staccato dots over the first chords in these bars could have been attributed to Chopin's inattention. Therefore, the marks added in GE3 most probably do not correspond to his intention. category imprint: Differences between sources issues: GE revisions |
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b. 108-109
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composition: Op. 11, Concerto in E minor, Mvt III
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Staccato indicated in GE3 for all octaves in the L.H. must be an arbitrary action of the reviser of that edition. category imprint: Differences between sources issues: GE revisions |
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b. 110-111
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composition: Op. 11, Concerto in E minor, Mvt III
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GE3 arbitrarily marked articulation of all semiquavers – the majority – staccato, two – legato. category imprint: Differences between sources issues: GE revisions |
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b. 112-113
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composition: Op. 11, Concerto in E minor, Mvt III
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The reviser of GE3 marked the 2nd half of bar 112 and entire bar 113 with staccato dots. category imprint: Differences between sources issues: GE revisions |
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b. 112
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |